Allan Alcorn for PBS in San Jose

Personally, it was a real treat for me to meet Al and spend a few hours with him.



Very similar to the structure of Guy Kawasaki's piece: there's an opening scene, a linear story of his life, then a return to the opening scene (which allows me to re-cap the story you were just told).

Graphically, it's based on the box of the Atari home version of PONG. Not an outright copy, but it uses the curved line and the bands of orange color. The rest of the graphics were a real egg hunt. Al provided a few pictures from the 1970s, but the rest came from trolling around on Atari tribute sites.

I was very sad to cut out an early section about the importance of his Berkeley years. He witnessed the tear gassing of rioters on Telegraph Avenue and considers it to be an important event in his life. It took about thirty seconds for Al to tell the story, and it was only cut because This Is Us had to fit it's running time.

Guy Kawasaki for PBS in San Jose

This profile was scheduled around the same time that Guy's new book "Enchantment" was coming out. I read the book before the interview, and decided that the design of the book cover would be the design of the profile- strong red gradient and Helvetica font. When we arrived at his office, he had the original butterfly model framed in the corner. Perfect!



The main narrative is in three parts, built around his three careers. The hockey rink is a frame for the introduction and the closure. (It is also a more exciting start scene than a writer just sitting at his desk.) A moment of conflict was placed near the end of the story- where I question Guy's credibility.

The writing and editing didn't take long. The graphics were time-consuming, but I had a quick jump-off because I already knew what the general look was going to be. During the final edit, there was an early section of Guy's history that had to be deleted. I didn't have family pictures to cover up the narration, so the information had to be cut.

Edit for a national show - Nightly Business Report

My friend Tom calls some jobs "making Chicken Salad out of chicken sh!#". This is one of those cases.



The story is solidly written, but it's mostly about abstract ideas. Those are harder to edit than stories about physical objects or events and happenings. This cuts-only story uses SD footage, web video, press handouts and staged shots (people talking, walking, answering phones and just pretending to work in general).

It was a total charge for me to be in "news mode" again after several years of being in "post world. You sit down to work at 9am and you know the Fed Ex office closes at 5pm. You better be done before 4:40.

End of Summer Highlight - Matt Mullenweg

As Bigge Crane was winding down, I started working on a profile of Matt Mullenweg for KTEH, the PBS affiliate in San Jose.



This is built around a sit-down interview with Matt. I talked to him for nearly an hour, beginning from his religious and social background to his philosophical influences as a young developer. We also covered the facts & figures surrounding the success of WordPress and Automattic.

The challenge was finding video to cover the thoughts. Luckily for me, Matt is a photography fanatic and there are web videos from WordPress's fans around the world. By using those assets, plus Photoshop and After Effects animations, we were able to turn abstract ideas into visual expression.

The reaction to the story was VERY positive. The folks at WordPress put it on their company blog and Matt himself posted it and recommended it as a good introduction to WP. It was re-tweeted and re-posted onto other blogs around the world and received many positive compliments.